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Today, as part of Project Educate's focus on darkroom photography, I'm presenting an interview with All-About-Film and its founder, Evil-e33.
All-About-Film's mission is to provide a place for lovers of film. We are about the medium, and all things that can be done with it. We accept into our galleries nearly everything, with minor excepts like gore, and some forms of graphic nudity. What sets our group apart from similarly themed groups is, we have NO quality control. We feel it is not our job to dictate to our members what is and is not good or what constitutes "Art". Our members are free to share their worst or their best without fear of being rejected.
The basis of rejections in our group is if film and camera information are not included into the description field on the deviation, if it's submitted to the wrong format folder, or if it violates our content addendum i.e. gore, and graphic nudity.
We don't allow members to add to the collections/favourites gallery. This is the most abused gallery with groups, and is a constant headache for many groups administrators.
We have found that the networking is easier amongst like minded photographers, although it takes dedicated members to facilitate that networking. Works are presented to a wider audience, and the learning pool has gotten a bit larger overall
My advice would be, have a clear and concise purpose for your group. Have a handful of co-founders, say around no more then 4-5 that are on the same page as you when it comes to the goal of your group. It's vital to have a good relationship with your co-founders. They are the ones that take the reigns when you have other things taking up your time. No choices are made in my group without consulting with my co-founders and getting their perspective on any and all possible changes to the group and how it functions.
I would also advise that whoever is thinking about starting a photography group decide before hand if you are to have quality control in your group. If you choose to, make sure your members or potential members know this right up front. Make your quality control guidelines precise. What All-About-Film does is, all join requests are voted on. We do this for one sole purpose. At the time of acceptance we send every new member a welcome message with a link to our member FAQ/group rules. This ensures us that they have at least been shown where the rules are. I personally feel this is the best way for group members to know upfront there are rules/guidelines, and if you have a group with quality control, they will know right away.
Remember this....groups evolve as more members join, so sometimes you have to adjust your rules and guidelines to keep up. Sometimes you'll think you got all your bases covered and then a submission comes in at makes you rethink everything. This has happened countless times in many groups I have seen. It's and ever changing machine.
Most importantly, have fun with your group, and hopefully if deviant art ever gives us the "members only" forum, the fun with groups will reach greater heights.
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Could you briefly summarize your group and its mission, along with what you accept to your gallery? What makes your group different from the rest?
All-About-Film's mission is to provide a place for lovers of film. We are about the medium, and all things that can be done with it. We accept into our galleries nearly everything, with minor excepts like gore, and some forms of graphic nudity. What sets our group apart from similarly themed groups is, we have NO quality control. We feel it is not our job to dictate to our members what is and is not good or what constitutes "Art". Our members are free to share their worst or their best without fear of being rejected.
What's your most common reason for rejecting submissions?
The basis of rejections in our group is if film and camera information are not included into the description field on the deviation, if it's submitted to the wrong format folder, or if it violates our content addendum i.e. gore, and graphic nudity.
Does your group employ folders and favourites in addition to the main "Featured" gallery?
We don't allow members to add to the collections/favourites gallery. This is the most abused gallery with groups, and is a constant headache for many groups administrators.
How do you find the group platform has been beneficial to photographers on dA as a whole?
We have found that the networking is easier amongst like minded photographers, although it takes dedicated members to facilitate that networking. Works are presented to a wider audience, and the learning pool has gotten a bit larger overall
Any advice for someone thinking of starting a photography group?
My advice would be, have a clear and concise purpose for your group. Have a handful of co-founders, say around no more then 4-5 that are on the same page as you when it comes to the goal of your group. It's vital to have a good relationship with your co-founders. They are the ones that take the reigns when you have other things taking up your time. No choices are made in my group without consulting with my co-founders and getting their perspective on any and all possible changes to the group and how it functions.
I would also advise that whoever is thinking about starting a photography group decide before hand if you are to have quality control in your group. If you choose to, make sure your members or potential members know this right up front. Make your quality control guidelines precise. What All-About-Film does is, all join requests are voted on. We do this for one sole purpose. At the time of acceptance we send every new member a welcome message with a link to our member FAQ/group rules. This ensures us that they have at least been shown where the rules are. I personally feel this is the best way for group members to know upfront there are rules/guidelines, and if you have a group with quality control, they will know right away.
Remember this....groups evolve as more members join, so sometimes you have to adjust your rules and guidelines to keep up. Sometimes you'll think you got all your bases covered and then a submission comes in at makes you rethink everything. This has happened countless times in many groups I have seen. It's and ever changing machine.
Most importantly, have fun with your group, and hopefully if deviant art ever gives us the "members only" forum, the fun with groups will reach greater heights.
:thumb162834158::thumb185588088:
:thumb184401162:
Beasts
Keeping this shortish: A while back my prime wife @madnessism started a fun little collective over to the side called The Beasts of AI and I've been a part of it for a couple months. We're mostly twitter active, but because of the drama around twitter currently some of us are migrating some work over to DA to get new eyes on it. I didn't want the baggage of this account tied to it (and will not be active in any sense of the term apart from posting my work) so if you want to check out my stuff drop me a watch on @exquisitest. You can also check out some of our early-adopter comrades at @artistficially, @king0lightai and @L3VEL7 - and eventually we'll be setting up @thebeastsofai as a group to collect all our stuff in one space. Check us out @ thebeastsofai on twitter too - we run some neat initiatives. I haven't talked much about my life as an artist after my health issues in 2017, but I've had limited ability to create since then. This is why I'm embracing AI and I view it largely as
A Check-In
I'm Not "Back"
So don't get excited. I just know this is a convenient way to broadcast an update to y'all on where life has led me. I'm still not around much, if at all. I do check my messages maybe once a week and pop on the chat network when I get a snow day at work. I'm creating, but it's not meant for y'all. :pringles:
So illness sucks. That's not up for debate. All types of illness suck. A cold sucks. Scrambled nerves suck. Depression sucks. Vague autoimmune diarrhea sucks. Abscessed molars suck. Herpes sucks. (Not crotchpox. The shingles. I'm less sexually active than a Buddhist nun.) Then it all gets better. Medication juggling is an
One Last Update
Words?
So by now you've probably noticed I'm not around much. It happens.
My life has gravitated elsewhere. "Elsewhere" is this weird and wonderful place of reading tarot semi-professionally, growing okra, playing cards every Wednesday with my 78-year-old great aunt Annette over a bottle of moonshine, owning roughly half of a rapidly growing art-oriented web startup, and trying to find a local beer I don't hate since I've moved cross-country and they don't sell my brand here.
It isn't that I dislike DA. It isn't that my experiences here weren't important, or fun most of the time. The place just has a lot of memories, some good and some terr
Choosing Paints, Part II: HEAVY METAL HEXAGRAMS
Trad Basics Week
Re-Introduction
In the previous installment, Choosing Paints, Part I: Fat and ... Translucent?, we discussed picking your first paint, monochromatic painting and the two-colour and Zorn palettes. For 3300 words. And you thought that was enough learning. :evillaugh:
What we're trying to prevent: Bad life choices, and unsaleable art that leads to the ramen diet.
Today we're going to go over the basic palette of six colours as a launching point for artistic success. These tips apply to all painterly media - oils, acrylics, watercolours, gouache, pastel, you name it and it fits. Let's start with the dry stuff:
The Six Colour
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I like the advice on how to create photography group